SimperingToad wrote:There needs to be a mention of the Random House addition for the white leaf.
I had considered that, but it's also an overhaul that needs to be mentioned in all three books. We'll get there once we sort out where this one goes!
SimperingToad wrote:All in all, though, I still think your initial diagnosis is probably correct in that white 4ths are really 5th minus.
TheMilford wrote:5-minus might be more accurate in this case.
I wish that were the case, but I can't agree. I'll try to summarize all the points I considered in coming to this conclusion, for purpose of healthy discussion.
Cover
The traditional marker between the 4th/5th printings is there, specifically the lack of a TM symbol. That heavily favors the book as a 4th variant in my opinion. It has the weight of historical classification behind it -- we should not change things lightly. But the material/inks used and the change in flyleaf color match the 5th and favor that designation. (These are the side-effects of the move to Random House.)
In my opinion, the cover is a wash.
Interior
The catalog page is nearly identical to the 4th red; the 5th is completely different. But outside of the catalog page, the 4th white
does resemble the 5th more. It's undeniable. There is the hydra resizing, and the addition of the Random House line.
However, the other known case of a
MM variant, the 3rd plus, is
identical to the 3rd, text-wise. Ideally the book under consideration at the moment wouldn't be classified as a variant at all but we don't have that option, something I'll touch on later.
Given that, I think these two points are also a wash.
Binding
That which brings the Cover and Interior together seems like a minor issue, but it turns out to be very signficant here. Note that in every other case where it changes, across all three books, we denote a new full printing. There are a fair number of these cases.
In the
MM chronology specifically, each time this occurred TSR was kind enough to confirm it with printing numbers on the copyright page. So that strongly favors it being designated as a 4th variant, as the 5th must be distinct from that which came before. While a boundary between the 4th red and 4th white is
not required, a boundary between the 4th white and the 5th is required.
I think that settles it conclusively, I really do.
History and Identification
One of the things we strive for when constructing these printing chronologies is easy identifiers for determining the printing/variant. It's no good if the difference is the color of the interior of the spine or something nobody will ever see. That's why looking at stitching is a last resort, and why this hid for so long as being identical to the 4th red!
Regarding the 4th/5th boundary, the TM/No TM distinction has to date been the best way to distinguish a 4th from a 5th at ten paces. Putting this book with the 5ths ruins that.
Nail in the coffin for the 5th minus, in my opinion.
Full Printing?
Ok, so why don't we just shift everyone down one then? That would be ideal! The 4th white is the 5th, the 5th is the new 6th, etc. Well we can't -- we're boxed in. This is the point I alluded to above.
Starting with the 9th printing, TSR started labelling the printings again. We need to respect that, so there's no room left to add another between the 4th and the 9th.
It must be a variant, can't be a 5th variant, so it's a 4th by default.
Other Factors
I haven't the ability to measure, but dimensions should be considered as well. I would not be surprised to discover the 4th white is slightly taller, just as an example. I believe the first Random House
PHB printings were noticeably taller.
Of course, some other point of distinction may exist, as yet uncovered. That's always the case. I completely agree with SimperingToad's last point that we need to be patient and see what else might be out there.